Thanks to its outstanding direct-to-disk abilities and waveform caching, edits on arbitrarily large sounds are performed at lightning speed with this fully featured multi-track editor. Automator workflow as a MacOS Service plugin, and there you have one of the best SRC that there is for free, on par with Izotope.Use your Mac for any audio-related task, such as live audio recording, creating iPhone ringtones, digitizing tapes and records, converting between a variety of sound formats (including Mp3, MPEG-4 AAC, AIFF, WAVE, WMA, CAF, FLAC, Ogg Vorbis), remastering your iTunes music library, record internet streams, etc. If I get enough jobs (hint, hint) later this year, I still may upgrade to the Standard edition. :PĪnd RX8 Elements can now do almost everything in spectral editing that I've learned from using Audition while the rest can be done in Amadeus Pro or – yuck – Audacity. Back then I would have even bought the standalone Audition CS if they were still selling and not "renting" it. That's where I learned what all can be done. Not all restoration like dropouts could be done that easily in Sountrack Pro, so I had to ask a buddy with an Audition license to let me use his Mac. Having done various mastering and remastering jobs in the recent years with historical recordings from the 50s/60s/70s/80s, some of them recorded live on abysmal 1/4" reel tapes 9.5 ips buried for decades in somene's filthy basement. I use spectral editing mainly for restoration of analog transfers. That looks interesting, but not necessarily what I'm looking for. Still got the LC, and it still works, as long as its PRAM battery is good Eventually in 1999 I got a used LC475 from one of my buddies in exchange for one of my old turntables. Done many of my design jobs in exchange for fixing the issues people were having with their Macs, as I was always pretty good at troubleshooting. Apart from the library where I was printing my layout text sheets on the LaserWriter, I was choosing my "bestest buddies" by the Macs they owned, haha. I was self-employed since 1988, working as a freelance designer and musician, completely broke all the time. Eventually someone installed PageMaker 3 on one of those, and I was hooked. So I found my way around the Mac by trial and error. I said no, and so I was advised to try the Mac first. The first time I came there I was asked if I already have some computer experience. … but that's exactly where I found myself in 1989 as well! The university library in Berne, Switzerland, used to have a few IBMs and three SE30 and a LaserWriter in the reading room, and you could register as a user even as a non-student. Mac SE30, Aldus PageMaker and an early Apple PostScript Printer But hat doesn't mean that bugs and issues shouldn't be documented, does it? ) So as far as RX8 Elements goes, I'm in it primarily for spectrogram editing and everything else is just the icing on the cake. So for just $29, it was a no-brainer, as it's going to replace the "antique" and ultimately obsolete Soundtrack Pro spectrogram editor that I got with the Logic Studio 9 suite. You can choose which version you want to demo, and so I was surprised that even the Elements can do that, albeit with a few minor limitations. At first I thought that the spectrogram editor is only in the Standard edition which is over my budget, but I downloaded the demo nonetheless. A fellow user then recommended to have a look at RX8. Amadeus already has an excellent spectrogram renderer – either from a file or directly from an audio stream – which is part of my audio workflow since over a decade. Neither had I, but a week ago I asked on the Amadeus Pro forum (a fine audio editor on its own) if they have any plans to add destructive spetrogram editing. I haven’t any first hand experience of RX8.
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